How long is daybreakers

This topsy-turvy "new normal" is sharply and amusingly depicted as being eerily similar to current living with the important difference that the populace go about their business at night and enjoy shots of blood in their coffee. Aging, famine, and disease have been eradicated, however sunlight is lethal. There is also still a class system, with destitute vampires who cannot afford a regular fix of blood turning into violent, deformed creatures called "subsiders".

But there is a problem. The vampires' insatiable appetite for blood has driven the residual human population to the point of extinction and left the blood supply almost exhausted. His job is to find a blood substitute to ward off mass starvation. Dalton secretly sympathizes with the remaining humans and hopes that his work will result in their persecution being halted. After connecting with some human survivors, he realizes that there may be an even more radical solution to the problem. However, not every solution is profitable..

From beginning to end this film is big, gory fun. There are some interesting and agreeable plot twists and the film's more metaphorical aspects which are not exactly subtle to begin with are upfront but not preachy. The special effects and action scenes are top-notch also, particularly a gruesome set-piece near the film's climax.

The Spierig brothers also manage to insert some big scary jolts at regular intervals. All the cast are solid but special mention should go to Sam Neill who does not chew scenery as the main villain of the piece but definitely nibbles here and there. Willem Dafoe is good too, as always. Well worth seeing. FAQ 6. What is "Daybreakers" about? Is "Daybreakers" based on a book?

What kind of vampires are in Daybreakers and how do they live? Details Edit. Release date January 8, United States. Australia United States. Vidio Indonesia. Brisbane, Queensland, Australia. Box office Edit. Technical specs Edit. Runtime 1 hour 38 minutes. As a human, he was suffering from incurable cancer, and after becoming a vampire, he turned Bromley Marks into a powerful company. He admits that he likes being immortal and plans to use the substitute world-wide to create a market monopoly, with remaining human blood becoming very expensive, since "there are always those who are willing to pay a little extra for the real thing".

Edward taunts Charles for being a coward and having Frankie turn Alison instead of doing it himself. A provoked Charles bites Edward and becomes human again.

Edward leaves the Charles at the mercy of his former soldiers nearly all now on the verge of becoming subsiders , which results in Charles being torn apart.

Edward and Audrey, cornered by more soldiers, are rescued when Frankie sacrifices himself. This sparks a feeding frenzy that leaves all of the soldiers dead or cured. They are confronted by Christopher, who kills the few remaining cured soldiers to hide the evidence of the cure.

Edward looks sadly to his dead brother, and Audrey, Edward and Elvis leave, turning back to watch the sun rise over the city. The three survivors drive off into the horizon in Elvis's Pontiac, with Edward in a voice-over stating that they have a cure and can change others back.

However, a subsider flies across the horizon, indicating that there may be much more trouble to come. The brothers, who directed Undead , were attached to direct Daybreakers.

Daybreakers began filming on the Gold Coast at Warner Bros. Movie World studios and in Brisbane on 16 July Weta Workshop created the creature effects for Daybreakers. After experimenting with complex makeup designs, they decided that a more minimalistic approach to makeup had a more powerful effect. Hawke was initially hesitant to join the production as he was "not a big fan" of genre films. He ultimately accepted the role as Edward after deciding the story felt "different" from that of a typical B movie.

A 3D Blu-ray version of the film was released in November Daybreakers For other uses, see Daybreaker. Theatrical release poster.

Box Office Mojo. Retrieved 11 December The Hollywood Reporter. Retrieved 23 May Archived from the original on 26 May Sunday Telegraph. Retrieved 9 July ABC News. Retrieved 20 July Gold Coast. Retrieved 5 October Ain't It Cool News. But after a while, as the saying goes, style trumped substance.

Coventry 14 April But this was before Michael and Peter Spierig — mildly famous amongst cult audiences thanks to their zombie debut "Undead" - came along with "Daybreakers"; which is a downright splendid achievement. This movie has an intelligent plot that adds inventive new angles whilst simultaneously remaining loyal to ancient vampire traditions, the scenario that supplies clever twists at the exact right moments, talented people both in front and behind the camera and still more than enough bloodshed and darkness to satisfy the old-fashioned horror freaks.

This is a huge problem, because the artificial blood substitute of industrial Charles Bromwick Sam Neill isn't ready for mass production yet and if vampires consume the blood of fellow vampires, they transform into horribly deformed mutants.

Lab researcher Ed Dalton Ethan Hawke , who never voluntarily wanted to become a vampire, makes contact with a group of battling human survivors of which their leader Elvis Cormac Willem Dafoe used to be a vampire but accidentally came across a cure to transform back into a human being. Now, humanity might be the ideal solution to Ed, but the rest of the vampires are merely just interested in the cure in order to transfer others back into humans and feed on them!

The script and especially the plot twists might sound grotesque, but it works and "Daybreakers" remains compelling and even plausible from the first minute onto the very last. Cars in the year , for example, are fully equipped with a nocturnal modus that allows vampires to transport themselves during the daylight and on their way to work in the morning they stop to pick up a blood-flavored cup of coffee. Personally I get a kick out of ingenious and well-observed little details like these and the Spierig brothers clearly do as well.

Mostly remarkable is that, in spite of the primarily story driven plot and the presence of A-listed cast members, "Daybreakers" remains a bona fide horror movie with blood spurting from both sides of the screen, moments of nail-biting suspense and a moderately offensive sense of black humor.

Highly recommended. Weak plot Gordon 4 February This film is about a futuristic world where humans are turned into vampires, that in turn hunts humans. If you like blood, then the never ending scenes of gore will keep you interested. As I am not a fan of blood, I try to look for other things that might keep me interested.

The plot is fairly interesting, but gets weaker as time goes by. Some scenes exist just for the sake of graphic shocks, increasing the unnerving visuals at the expense of a logical subplot.

As for the ending, it leads me to believe that there is a solution on one direction, but it suddenly changes direction to another. Unfortunately how the new solution is discovered is poorly explained. It also makes me wonder why the vampires or humans have not found that secret out sooner. Overall, "Daybreakers" is an adequate film but it is not so memorable. The year is a world changed by a vampire plague and the human population is becoming bloodsuckers seeking blood.

Edward Dalton Ethan Hawke is an undead hematologist working on the ultimate consumable blood substitute. The human race is dwindling toward zero and is depending on science for an answer to sustain its normal lifestyle. Edward stumbles upon a small pocket of human survivors led by 'Elvis' Cormac Willem Dafoe , a former vampire, that has discovered how to reverse the plague and spouts out Elvis Presley quotes as pearls of wisdom.

Will the world be repopulated with humanity or be forced to live on synthetic blood? Sam Neil is the CEO of a vampire corporation intent on building a global empire. The world is now ruled by the undead, hardly any humans exist, thus the blood banks are running dry and the vampires are threatened with starvation. However, salvation may come in the form of a secret group of human survivors. Great premise that sees a flipped population scenario not too far away from that at the heart of Planet Of The Apes.

However, where the Heston movie was able to successfully unfold a unique story right to the end, Michael and Peter Spierig's movie peters out to one that is undone by a poorly executed last third and a blatant appeal for a sequel. Humans are farmed for blood, the "parasites" live in light secured housing and the search for a new food source by the boffins led by the ever watchable Ethan Hawke makes for an engrossing first half.

While there's fun to be had with bodily explosions and various mutated baddies. As there is fun too in watching quality thesps like Sam Neil and Willem Dafoe enjoy the berserker plotting and unstable dialogue. Very much a "nearly" movie in that it seems caught between wanting to be a popcorner like Blade, or an intelligent vampire bit of sci-fi.

That it falls short is down to the inexperienced writing and directing of the Spierig brothers. We understand it's probably a baby of theirs, but really it should have been guided by better hands. Then, one feels, the indecision and poor choice making in that last third could have been avoided to make rich on the promising premise.

Theo Robertson 31 July Ten years after a plague has turned most of the human race in to vampires hematologist Edward Dalton works for a corporate company that sells human blood. The idea that vampires are not the angst ridden teens of the TWILIGHT saga makes a nice change and it's fascinating that they're victims of Malthus doctrine of population that is causing them to become mutant degenerates called " subsiders ".

It's also a bit too convenient that one of the vampires just happens to bump in to a character who was once a vampire who has found a way to reverting back to human form. The solution to this reversion back in to human is so simplistic it's impossible to believe that in the preceding ten years a population of several billion vampires haven't stumbled upon this easy cure This ties in with another flaw of the movie and that is the villains aren't really the vampires but corporate capitalism.

In some ways it's a bit of a conspiracy thriller where the cure will affect a company's profits and therefore they think it's a better idea to keep everyone has a vampire rather than a human. I did actually suffer a couple of startle moments that caused me to jump and it's also a film that has a sharp and cold cinematography that suits the film perfectly but as is often said if a film is good it's down to the director and if it's bad it's down to the screenplay and the screenplay just falls short of making this a classic horror movie.

Scarecrow 9 January You know as a horror fan, I really don't demand too much. I was hungry for a horror film with some originality, an inspired story, some chills, and effective grisly gore. Daybreakers delivered to me all I wanted in a vampire movie. While it does carry certain traditional vampire traits.. In , humans are the desired source of nourishment for an overpopulation of vampires.

The only humans left in existence are either on the run and hiding out the best they can, or placed in "farms", their blood slowly depleted as they remain alive, bound in containment chambers to be bleed from.

A corporation led by Sam Neill.. Scientist Ethan Hawke, sympathetic to the humans and turned by his own brother against his will, works diligently to find the cure for vampirism which causes his species' voracious appetite. We see that the city for which Neill's organization works is rather like a hi-tech, corporate, commercially-driven metropolis, but the civility is starting to deteriorate and crumble as blood becomes far more scarce, and in stronger demand.

Also the monsters that vampires, without the blood they need to survive, are evolving into, continue to grow in number, even finding their way into the security-heavy, privileged suburban areas.. Hawke, who loathes his kind's willingness to hunt and kill humans for their blood, so desperately desires to end this once and for all.. Claudia Carvan has a great feature role as a heroine human leader for the humans whose cause is to return the human race to a role of prominence without fear and to find a legitimate cure for vampirism;she also becomes a love interest for Hawke who confides in her.

The Brothers Spierig assemble a top notch cast, anchored by the always dependable Hawkes, and don't forget to bring us gorehounds the carnage we crave, an all-out assault when vampires feast on humans, and some truly horrifying sequences where vampires are burned alive entering the sunlight. There's some potent drama, particularly a tragic situation that develops when Neill is able to recover his human daughter, and his decision to turn her despite her pleas to remain as she is.

Also, we see the relationship between Hawke and his soldier brother.. Perhaps the conclusion is predictable, but there's enough bloodshed and violence to perhaps please vampire fans.

The way to a cure.. Thankfully, unlike recent horror flicks, the camera work is stable, not all jumpy and jerky, and while there is some CGI work.. One of my favorite sequences has a patient, who agrees to be a guinea pig for Hawke and his fellow scientist's experiments, reacts negatively, with the result being a body explosion.

As has happened in more modern vampire horror, when they are staked, they go explode into ash. Some good vampire neck-biting as well. Oh, and there's an imaginative reaction that occurs when vampires bite humans who were once turned, that is put to impressive use.. Edward is also a vampire; thanks to a catastrophic plague, blood suckers now comprise the vast majority of the Earths' population.

The remaining humans are often farmed for their blood. Edward, however, is humanistic enough and compassionate enough to regret the possible extinction of humanity.

Then it comes to his attention that there just might be a cure for vampirism, as he joins forces with a human woman, Audrey Bennett Claudia Karvan , and a former vampire, Lionel "Elvis" Cormac Willem Dafoe , who holds the key to the cure. People like greedy corporation bigwig Charles Bromley Sam Neill naturally aren't really interested in any cure.

For example, one can easily draw a parallel between Bromley's company and the real life greed of big pharmaceutical corporations. The Speirig siblings offer up lots of bloodshed, a solid forward pace, some hilariously over the top death scenes, decent action sequences, and a good visual approach. The music score by Christopher Gordon has a grandiose, operatic quality. The bad news is that it's also a pretty predictable story, one that's likely not going to linger in ones' mind for long. Engaging performances help quite a bit.

Neill has fun with the bad guy role, Hawke is fairly intense as usual, Dafoe is a scene stealer with some of the best lines, Karvan is a good, strong female lead albeit one that does need rescuing more than once , and Isabel Lucas as Bromley's daughter , Michael Dorman as Edwards' brother , and Vince Colosimo as Edwards' co-worker comprise a capable supporting cast. By no means a great addition to vampire cinema, but certainly a good and thoughtful one.

Seven out of LeonLouisRicci 22 May The Public must be fed It's another Dystopian future that is, here's the twist, run by and ruled by Vampires. These are real, glow-eyed, fanged Masters of this futuristic Universe, not the metaphoric Vampires so beloved by Ayn Rand fans.

But there is trouble in Paradise Lost, the human population is dwindling and the foodstuff is running out. Enter Plot of sensitive Scientist who will only drink Pig's blood searching for a Corporate controlled cure and guess where that is heading.

This looks creepy enough and Gothy enough to be visually attractive in a sort of expected neo-colorless effect, and there is enough Gore for the Hounds to lap up, but it is the slightly new take on the old that is the try here and it works as a palatable alternative to the sickening sweetness of another Franchise, which shall remain nameless, but that doesn't mean that this isn't just sickening, or at the very least adventurously anemic.

Daybreakers is set in the near future during where a plague has wiped out virtually all of humanity leaving only Vampires, the few human that manages to avoid the plague are now either used as food for the Vampire race or hide. Daybreakers is full of Vampires, in fact it's an entire world populated by Vampires so you get all sorts including nasty Bat like monsters.

Short on actual action there is one silly moment in which a car rides a couple of steel girders like a train riding it's tracks.

Apparently shot in but remained unreleased for a couple of years when it dumped into theatres in January The acting is alright, Sam Neill is pretty good but Ethan Hawke just seems a little subdued while Willem Dafoe just has fun with his lines. Plague has turned most of the population into vampires who have taken over the world and begun feasting on the remaining humans.

The trouble is that the human population is running out and unless they can find a blood substitute they are going to starve. Ethan Hawke plays the chief vampire hematologist who harbors a soft spot for humans, and who stumbles upon a way of possibly saving everyone.

Directed and written by Michael Spierig and Peter Spierig who turned out the great looking but dramatically messy The Undead about a meteor that turns a small town into zombies, we're once more into the great looking but dramatically odd territory. Much of the film looks like a vampire film noir.

It looks like a Sam Spade will come wandering in at any moment. The horror sequences are bloody and frightening, the action is often amazing. The problem here is the story.

While its not all over the place like the directors' earlier film it does have plot holes and at times lurches from things to thing in a none too natural manner. I was frequently wanting to stop and ask questions about why and how since little seems clear unless you just take it all on faith. I couldn't do that because the film was asking me to believe too many impossible things.

I'd wait for home video. The Australian-based Spierig Brothers have the distinction of writing and directing the second-best zombie comedy after "Shaun of the Dead" changed the genre for good. The Brothers Spierig make their big-screen American theatrical debut with "Daybreakers," but they have forsaken giddy, outlandish comedy for straight-faced, humorless drama in this lukewarm vampire chiller with a unique premise but little payoff. The Spierigs have made a traditional vampire movie where the fangsters cannot be seen in mirrors, and they have to restrict their comings and goings to after sundown or confine themselves to sheltered walkways or blacked out vehicles with video screens so the sunlight doesn't bake them.